Contact: Brad Tuggle |  860-873-2468 |  www.i-park.org/residency.html |  applications@i-park.org

Larry Leach, an artist-demonstrator for Winsor & Newton, will be speaking about oil painting materials and techniques on Friday, January 27 at 2-3:30 pm in Alexander Hall 133. Free paint is provided to those who attend. Seating is capped at 30. To attend, please RSVP to sjreed@scad.edu to attend.

If you have a friend who would like to attend who is not a painting major or painting minor, they are welcome to RSVP as well.

9 a.m. to 4 p.m., Friday, Feb. 3
Bradley Hall, fourth floor, 115 E. York St., Savannah, Georgia

Graduation may seem a long time away, but now is the perfect time to lay the path to career success and your dream job! Meet with your career success adviser to discuss internship opportunities, review your career goals and develop your action plan. The office for career and alumni success at SCAD can help you achieve your goals before you graduate! Appointments can be made online, or drop by if you are in the neighborhood and you will be advised.

Refreshments will be provided. A drawing for some great prizes will be held for juniors that meet with their adviser on Feb. 3. Food, prizes and career planning: the ingredients for a perfect Friday!

De Ateliers offers a stipend to all participants, both Dutch and foreign. De Ateliers grants the yearly allowance in two installments. The stipend is funded by the Ateliers Support Fund and the Department of Culture of the Dutch Government. The stipend amounts to 9.500 euro per year and covers basic living costs. A working period at De Ateliers involves a tuition fee of 1.000 euros per year. This fee will be subtracted from the first term of your stipend.

Application.

http://www.skowheganart.org/

Skowhegan’s 2012 session will take place from June 9-August 11.The 2012 application deadline is February 1, 2012 at 11:59 PM (E.S.T.). Skowhegan, in both its physical and programmatic design, provides opportunities for intense work and creative direction. Because the program focuses on process and experimentation, Participants are encouraged to come prepared to work without a preconceived agenda or schedule. The program requires Participants to commit to being in residence for the full nine-week session from mid-June to mid-August, and absences from the program to fulfill other professional commitments are not permitted. All Participants, Faculty, and staff live and work on campus and are provided with studio space and technical support for their work. The artistic dialogue continues around the clock. Skowhegan’s Board of Governors, all working artists, invites a new faculty of Resident and Visiting Artists to campus each year to guarantee a diversity of perspectives. These artists are highly accomplished and represent a cross-section of the contemporary art world. The structure of Skowhegan’s program is provided by regular one-on-one critiques given to each Participant by the Faculty, and through the series of lectures given by the Faculty over the summer. Participants also gather weekly for open critiques led by a Dean. Skowhegan also offers the rare opportunity to learn and practice buon fresco technique. In the context of Skowhegan’s program, fresco offers an opportunity to explore a rich and ancient process that can inspire and accommodate a broad range of contemporary ideas. All Participants and Faculty members are encouraged to experiment in this medium with the guidance of an experienced instructor. Performances, reading groups, discussions, and community and off-campus projects initiated by Participants comprise an important part of the Skowhegan experience and are encouraged and supported.

Here is information about a competition for a solo show at Phoenix Gallery in NYC that was forwarded by our dean’s office. Please note, the gallery assumes no responsibility for loss or damage, so if you are selected, be sure to insure your work.

Good luck!

PROJECT MANAGER APPLICANTS: Applications are due by Friday, February 10, 2012. A complete application includes the submission of this form in addition to all items in the next section of this form titled “Application checklist” (at link above).

TEACHING ARTIST APPLICANTS: Applications are due by Friday, March 30, 2012. A complete application includes the submission of this form in addition to all items in the nextsection of this form titled “Application checklist” at link above.

After receiving a B.A. in painting at Yale University in 1982, he spent four years living and painting in rural parts of Maine and New Hampshire. He moved to the Lower East Side in 1986. For five years he worked for an artist-owned art moving company and in 1990 (along with his fellow art-movers) was a co-founder and the curator of New York’s influential AC Project Room, an artist-run commercial gallery that introduced the work of many significant young artists such as Byron Kim, Doug Aitken, Luca Buvoli, Josiah McElheny, Jane and Louis Wilson, and Anne Chu, as well as unrepresented older artists such as Mary Beth Edelson, Kim Jones, Robert Breer, Michel Auder, and Isa Genzken. In the 1990s his work was shown in New York at both Gavin Brown’s enterprise and 303 Gallery, during which time he also made an artist’s book of his text collages for Matthew Higgs’ ‘Imprint 93′ publishing project. The AC Project Room closed in 2001 and Paul Bloodgood focused on his own work and teaching, and in 2002 received a MFA from the Maine College of Art. He has taught at Tyler School of Art, Rutgers University and Cooper Union. In 2002 he also began working as a colorist for Martha Stewart Omni Media, and in 2003 developed a 350 color interior house paint palette, based on Paul Klee’s color systems developed at the Bauhaus. The project was finished in 2006 and is now at Loews Home Centers across the country. In 2007 his work was shown at the White Columns Annual, selected by Clarissa Dalrymple. In 2008 he showed in a three-person show at David Zwirner, a group show at Wilkinson Gallery in London curated by Matthew Higgs, and in a two-person show with Michel Auder at Newman-Popiashvili Gallery, He was also commissioned by Bomb Magazine to create a five-page text-collage for the cover of its fall 2008 literary supplement, “First Proof.”  In 2010, Bloodgood had a solo show, Thing Language, at the Newman-Popiashvilli Gallery in NewYork, and in 2011, took part in a group show with Anne Chu and Michel Auder at the Galerie Michael Janssen in Berlin, Germany. He will have a solo show at the Galerie Michael Janssen in 2012.

Paul Bloodgood_talk poster

If you aren’t able to attend, tune in to this link at 7:30 pm tonight, Th 1/19/2012 for a livestream of his presentation: http://livestream.com/scadelearning